Jump to content

Red Scarlet y Epic Renovados


 Share

Recommended Posts

Es bueno saber que el ISO está en 800 y el Redcode en 7:1 por defecto :blush:

 

Aunque (y sin hacer pruebas) es probable que se pueda bajar el ISO y el Redcode (a 25fps y 4K soporta 6:1 según la tabla, menos compresión - mejor calidad)

 

sisisis, correcto. sí que lo soporta perfectamente.

aún no he tenido demasiado tiempo para hacer esas pruebas, pero sí.

 

de hecho, a menor sensibilidad trabaja con menos ruído, aunque pensad que volvemos a lo mismo de siempre, metadata... :D

 

Manware...sí.

yo aún no he podido usar las redvolt porque no tengo el side handle, y no la he podido sacar a pasear aún. ando tirando de corriente para pruebas y así....

pero según comentan 30-40m una batería redvolt....mejor las V o las AB de toda la vida. el problema es que hay una falta de stock criminal ahora mismo con los cables Lemo, y aún no he podido ni reservar el plate para la parte de atrás....

grrrrrr

Link to comment
Share on other sites

  • Replies 386
  • Created
  • Last Reply

Top Posters In This Topic

Los nikonistas estarán de enhorabuena: Nikon Mount in action

 

I know it's hard for you Nikon lens guys out there to watch all the Canon guys having all the fun.. so I thought I would share a little clip from the final prototype that just came in.. it's pretty incredible. The Nikon mount as most of you know has been a bit tricky as Nikon requires actual motors in the mount where Canon has the motors in the lenses.

 

Anyways... here you go.. first look at the DSMC Nikon Mount in action.. Here is the Iris control "dampened" mode that takes out the click click click shifts you sometimes see in iris pulls. Since we make the motors.. we can make it pretty damn smooth.

 

Click the still to play the video...

 

http://red.cachefly.net/nikon-iris.mov

 

Por el color de la cámara (negro) diría que es la Epic :unsure:

Link to comment
Share on other sites

Actualización para las esperadas REDgamma3y REDcolor3: REDgamma3 and REDcolor3 update

 

Sorry for the delay... lots of testing and tweaking before we release it.

 

This is worth waiting for. The improvement is incredible.

 

I am opening footage from 4 years ago and it looks spectacular! No curves or WB tweaks. Graeme's miracle.

 

The monitoring path looks much better. The files open looking so good. Skin is much improved. Overall... this is why you shoot REDCODE RAW.

 

Just a bit more time. We really want to get this right before release. Bare with us...

 

Jim

Link to comment
Share on other sites

  • 4 weeks later...

Seminario sobre el workflow en Premiere: “Accelerate your RED workflow with Premiere Pro” seminar recording and notes

 

 

Recently, Adobe and RED presented an hour-long online seminar about using Adobe software with RED Digital Cinema cameras.

Representing RED was Ted Schilowitz (“Leader of the Rebellion”), and representing Adobe was Wes Howell, software quality engineer.

 

To watch the recording, click this link.

 

 

Ted and Wes talked about quite a few things in this seminar. Here’s a quick summary, with links to resources for more information about the subjects that they covered:

 

· Ted showed two RED cameras, the Scarlet and the EPIC, and explained their similarities and differences. He gave some useful details about the EPIC camera’s ability to record at a greater frame rate at large frame sizes.

To use EPIC or Scarlet footage in Premiere Pro CS5.5 or After Effects CS5.5, you must install the EPIC and Scarlet importer. This importer plug-in does not work with Premiere Pro CS5 or After Effects CS5.

 

· Ted also showed a RED Rocket card and explained the performance improvements that can be achieved with this card.

Note that users of Premiere Pro CS5 or After Effects CS5 must have the 5.0.2 or 10.0.1 update for these applications to use a RED Rocket card. These are the same updates that are required for the CS5 applications to use RMD (RED metadata) files and the updated color science. The CS5.5 applications have these changes built in.

 

· Wes showed the Media Browser, which makes browsing and importing media in tapeless formats much more convenient—especially when working with spanned clips.

 

· Wes showed a few other tips for setting up Premiere Pro and After Effects to best work with RED files:

 

decreasing resolution for playback and pause to improve performance

creating a sequence with the right settings, matching the footage

using Default Scale To Frame Size versus Scale property in Motion effect for fitting RED footage to the frame size of an HD sequence

setting color depth to 32bpc in After Effects

setting working color space to Rec. 709 in After Effects

Wes also showed the basics of using time-remapping—which can be done in Premiere Pro or After Effects—and discussed the use of the Warp Stabilizer.

 

· Both Ted and Wes talked about hardware for optimum performance with Premiere Pro and After Effects. For information about hardware decisions that influence performance, see this page.

 

 

Some aspects of this seminar were specific to Premiere Pro CS5.5 and After Effects CS5.5, but most of it was also relevant to users of the CS5 versions of these applications. For details of what’s changed with regard to RED features in Premiere Pro CS5.5, see this page.

 

If you have any questions about working with RED cameras and footage, bring them to the RED User forum, where several member of the Adobe and RED teams hang out. If you have questions about Premiere Pro in general, bring them to the Adobe Premiere Pro user-to-user forum.

Link to comment
Share on other sites

Actualización del plug-in de Red para Final Cut Studio 3: FCS3 RED Installer v30.5

 

 

03-21-2012, 02:32 PM

 

We've posted an update to our Final Cut Studio 3 installer fixing the Epic/Scarlet-X audio bug in Log & Transfer.

 

Grab it here:

https://www.red.com/support/all/downloads/9/release_history

 

This is the only change, so none of the other components in that package have been upgraded.

 

Enjoy!

 

Rob

Link to comment
Share on other sites

James Cameron no bajó solo a las profundidades de las fosas Marianas, llevó una Red Epic: JAMES CAMERON DIVES TO THE BOTTOM OF THE OCEAN WITH EPIC!

 

James Cameron — director of Titanic, Avatar, and a little movie called Aliens — is planning a dive to the Mariana Trench and he’s taking a RED EPIC with him.

 

Cameron has been on more than 30 deepsea dives but this one is the deepest ever and to a depth only 2 human beings have been to previously. The last voyage this deep was made in 1960 in the US Navy bathyscape, Trieste, by two pilots. Cameron will travel in a one-person submersible that’s been 8 years in the making. The small craft dives vertically and has 2.5 inch walls tested to withstand more than 16,000 psi. Naturally, it’s packed with tech:

 

Two cylinders of compressed oxygen and a carbon dioxide scrubber can keep him breathing for up to 56 hours. A touchscreen readout, similar to those found in some aircraft, will provide constantly updated information and status on most of the 180 systems that will be in operation on a typical dive. He’ll control the 12 thrusters that maneuver the sub with a joystick and see what’s going on outside the sphere’s thick, conical viewport on a viewscreen fed by a Red Epic 5K camera and wide angle lens. The 19-mile (30 km) range of the sub’s communication system should easily keep him in contact with the surface.

 

We’re proud to be part of such an historical exploration and are excited to see what Cameron discovers.

http://www.youtube.com/watch?v=0mBG0LbAoqk&hd=1

Link to comment
Share on other sites

  • 2 weeks later...

Novedades en la tienda de Red: New Releases

 

 

RED STATION REDMAG 1.8" (MINI) – USB 3.0

 

Compact form factor makes the RED STATION REDMAG 1.8" (MINI) – USB 3.0 perfect for offloading your REDMAG 1.8" media when workspace is limited and portability makes all the difference. Connects using Firewire 800 or USB 3.0 SS ports.

 

Includes:

 

RED STATION REDMAG 1.8" (MINI) – USB 3.0

Firewire 800 Cable (2")

Firewire 800 Cable (24")

USB 3.0 Cable (24")

USB-To-Power Adaptor cable

AC Power Adaptor

 

Recommended Items

 

REDMAG 1.8" SSD (64GB, 128GB, 256GB)

 

 

RED STATION REDMAG 1.8" (MINI) – ESATA

 

Compact form factor makes the RED STATION REDMAG 1.8" (MINI) – ESATA perfect for offloading your REDMAG 1.8" media when workspace is limited and portability makes all the difference. Connects using Firewire 800 or ESATA ports.

 

Includes:

 

RED STATION REDMAG 1.8" (MINI) – ESATA

Firewire 800 Cable (2")

Firewire 800 Cable (24")

ESATA Cable (24")

USB-To-Power Adaptor cable

AC Power Adaptor

 

Recommended Items

 

REDMAG 1.8" SSD (64GB, 128GB, 256GB)

redstationmini-1.png?1330387200

 

 

 

También hay nuevas cajas para la Scarlet y para la Epic

 

SCARLET-X-Case%5B1%5D.png?1327536000 EPIC-M-Case.png?1327536000

Link to comment
Share on other sites

oooooh! cajas nuevas!

que tiempos aquellos cuando red revolucionaba el mundo con lanzamientos :P

Me recuerdan a las que usan los magos para meter a alguien y cortarlo en tres partes :D

 

 

Esto son cuatro golosinas, lo importante llegará en breve y se llama Dragon B)

Link to comment
Share on other sites

oooooh! cajas nuevas!

que tiempos aquellos cuando red revolucionaba el mundo con lanzamientos :P

Me recuerdan a las que usan los magos para meter a alguien y cortarlo en tres partes :D

 

 

Esto son cuatro golosinas, lo importante llegará en breve y se llama Dragon B)

 

mas les vale sacar algo rapido y bien... la competencia empieza a ponerse mucho las pilas...

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Restore formatting

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

 Share

×
×
  • Create New...

Important Information

We have placed cookies on your device to help make this website better. You can adjust your cookie settings, otherwise we'll assume you're okay to continue.