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Grabadores Digitales de Imagen


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Hola a todos,

 

Hacia tiempo que barruntaba la idea de hacer un tema sobre los grabadores digitales para tenerlos todos a mano pero no ha sido hasta que he visto mis peticiones hechas realidad que no me he decidido:

 

Cinedeck Extreme v2

 

MONITOR:

Monitor video realtime, both on and offboard while using the onscreen edge focus, clipping, waveform, scopes and histogram to seize perfect control of your recording. Monitor audio via onboard headphone jack while toggling between audio inputs or listen to a mix of all inputs while simultaneously viewing the on-screen recording level display

 

RECORD:

Cinedeck EXTREME captures edit-ready

Uncompressed 4:4:4 or 4:2:2 HD,

Apple ProeRes,

Avid DNxHD,

and CineForm Digital Intermediates in MOV format

via HD-SDI or HDMI.

Records to standard removable laptop SSD for maximum compatibility/reliability and cost-effectiveness.

 

http://www.youtube.com/watch?v=HEk4U1ELYtE

 

El distribuidor en España es www.hicom.es

 

Cinedeck EXTREME es la primera solución "todo en uno" del mercado desarrollada por cinematógrafos para la grabación de vídeo y audio sobre disco (DDR) con calidad cinematográfica.

 

Pensado para ir montado sobre una cámara, Cinedeck EXTREME incorpora un monitor táctil de 7" que permite el monitorado, el análisis de la imagen y la reproducción, como si se tratase de un VTR, en un solo dispositivo ligero y compacto.

 

Cinedeck EXTREME captura formatos de alta definición, incluyendo alta definición sin compresión, Apple ProRes, Avid DNxHD y CineForm.

 

Compatible con cámaras HD-SDI, HDMI y cámaras LAN, es capaz de grabar en HD 4:4:4 o 4:2:2 sin compresión, Apple ProRes, Avid DNxHD y archivos adecuados para procesos digitales intermedios en formato CineForm Digital™ MOV, a través de los puertos HDMI o HD-SDI single/dual link.

 

Cinedeck EXTREME graba en discos duros de memoria sólida de formato estándar, garantizando así la máxima compatibilidad, fiabilidad y rentabilidad.

 

Además del monitor de alta resolución de 7", Cinedeck EXTREME incorpora un interfaz de botones físicos para realizar cómodamente las tareas más comunes. La configuración de la grabación y la reproducción está disponible a través de la pantalla táctil.

 

Cinedeck EXTREME ofrece la oportunidad de capturar sin las trabas físicas que existen en los equipos de grabación de alta calidad tradicionales y sin las limitaciones de calidad que presentan otros equipos portátiles. Permite además la conversión y el escalado a tiempo real entre más de una docena de combinaciones de resolución y fotogramas por segundo, incluyendo SD.

 

Cinedeck EXTREME permite visualizar el vídeo en tiempo real, tanto de entrada como de salida, mientras se utiliza el asistente de foco en pantalla, el monitor de forma de onda (waveform), el histograma y otras herramientas de análisis de la imagen (clipping, scopes, etc.) para tener un control total de la grabación. También es posible escuchar el sonido, a través del conector de auriculares incorporado, ya sea alternando entre las distintas entradas de audio o escuchando una mezcla de todas las entradas al mismo tiempo que se visualizan los niveles de grabación en pantalla.

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Codex Digital es una familia de sistemas de grabación, pero los que nos interesan son dos:

 

Codex Onbord (grabador para montar encima de la cámara) -> especificaciones

 

SUPPORTED VIDEO FORMATS

1920 x 1080I/PSF 10-/8-BIT YCBYCR 4:2:2 or 10-/8-BIT RGB 4:4:4 23.98, 24, 25, 29.97, 30 FPS.

1920 x 1080PSF 10-/8-BIT YCBYCR 4:2:2 DUAL-LINK 47.96, 48, 50, 59.94, 60 FPS.

1280 x 720P 10-/8-BIT YCBYCR 4:2:2 or 10-/8-BIT RGB 4:4:4 59.94, 60 FPS.

ARRIRAW 12-/14-BIT SUPPORT

onboard.jpg

 

 

 

Codex Portable (grabador portátil) -> especificaciones

 

SUPPORTED VIDEO FORMATS

- FORMAT

1920 x 1080I/PSF

1920 x 1080PSF

1280 x 720P

- COLOUR SPACE

10-/8-BIT YCBYCR 4:2:2 OR 10-/8-BIT RGB 4:4:4

10-/8-BIT YCBYCR 4:2:2 DUAL-LINK

10-/8-BIT YCBYCR 4:2:2 OR 10-/8-BIT RGB 4:4:4

- FRAME RATE

23.98, 24, 25, 29.97, 30 FPS*

47.96, 48, 50, 59.94, 60 FPS*

59.94, 60 FPS

portable.jpg

 

 

No he encontrado cual es el distribuidor, habrá que preguntarselo a ellos: Contact us

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S.TWO es una familia de sistemas de grabación, el que nos interesa es:

 

OB-1 -> especificaciones

 

Formats

Dual link HD-SDI 444 / 4444 1080P / PsF / i - 23, 24, 25, 29, 30, 50, 59, 60

ARRIRAW 23, 24, 25, 29, 30

OB1%2BPanel.JPG

 

 

Tiene al menos dos distribuidores: www.hicom.es y www.trigital.es

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FFV es una familia de sistemas de grabación, que graban en Motion JPEG 2000:

 

HD3

 

• Instant on-site playback for fast video clip review

• Touch screen control

• RS-232 machine control

• Records JPEG2000.mov files in HD or SD

• 100 Mbit/s data rate per channel

• 4:2:2 sampling

• 10 bit quantization

• 8 embedded audio channels per HD video channel

• 4 embedded audio channels per SD video channel

• 2 channels balanced analog audio per video channel

• Genlock input

• SMPTE/EBU longitudinal time code

• Discrete access to every frame

• Uses 2.5” SATA HDD or SDD drive

• Loop record feature

• Instant cueing and clip recall

• Clip naming

• Variable speed noise-free playback forward and reverse

• Dual channel configuration supports 2 HD monitors

hd3.png

 

 

 

Elite HD

 

• Seamless post production with drag and drop functionality of the JPEG2000.mov file

• Auto record setting • Record/Playback in HD or SD

• Auto detect video standard setting

• Camera back mount or standalone

• Gold Mount & V-mount

• Discrete access to every frame

• 100 Mbit/s data rate

• 10 bit resolution

• 4:2:2 sampling

• 8 embedded audio channels

• SMPTE 259M-C and SMPTE 292 (HD-SDI)

• 2.5" hot swappable SATA HDD or SSD drive with USB connection

• Loop record feature • Instant cueing, clip recall

• Time code input

• External Trigger Input • Optional RS-422 control

EliteHD.jpg

 

 

 

NDT200

 

· Scalable Motion JPEG Compression 4:1 to 20:1

• Analog Composite & S-Video (Y/C) I/Os

• Dual Channel Audio

• USB 2.0 **QuickTimeTM Video File Transfer

• PC or MAC Viewable Video Files

• Loop Record

• 32-Character Video Clip Naming

• Discrete Access to Every Frame of Video

• Jog, Scan, and Scrub

• PC or MAC Control via USB 2.0

• Low Power Consumption

• Touch Pad & Soft Button Interface

• Large Push Button Controls

• One-Touch Access to Removable SATA Hard Drive

• Mini Headphone Jack

• NTSC or PAL User Selectable

NDT200.JPG

 

 

 

Mini DVR Pro

 

• Scalable Motion JPEG compression

• Analog Composite & S-Video (Y/C) Inputs & Outputs

• Time/Date Stamp & Character Display

• Flash Drive Interface

(2 Compact Flash slots)

• PC Viewable Files or

Secure Video Files • Powered by 4 AA batteries

• Time-Lapse Recording

• Front Panel Controls

• 6 GPI Switch Inputs

• 2 GPI LED Outputs

• Loop Record with Event Trigger

• RS-232 Control/Set Up

• NTSC or PAL

• 2 audio channels

• Line / mic input

• Chase Lock

• USB 2.0 Port

MiniDVR.JPG

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Probablemente muchos estéis pensando "ya! está muy bien grabar sin compresión o en DPX pero yo no lo voy a hacer" para vosotros estos grabadores ;)

 

AJA Ki Pro mini

 

10-bit full raster recording to Apple ProRes 422 SD and HD formats

Apple ProRes 422 (HQ)

Apple ProRes 422

Apple ProRes (LT)

Apple ProRes (Proxy)

Record Edit-Ready SD/HD files from any camera to Compact Flash (CF) cards

Skip log and capture with instant mounting of native OSX media

Professional connectivity through SD/HD SDI and HDMI I/O

ki-pro-mini.jpg

 

 

Atomos Ninja

 

Recording Time

HDD SSD

300GB 500GB 750GB 128GB 256GB

 

ProResHQ 3hrs 5hrs 7.5hrs 77min 2.5hrs

ProRes422 4.5hrs 7.5hrs 11.5hrs 2hrs 4hrs

ProResLT 6.5hrs 11hrs 16.5hrs 3hrs 4.5hrs

http://vimeo.com/14913405

 

 

NanoFlash

 

Record Video at significantly higher Bit-Rates

and color (4:2:2), producing far better quality

 

Make Your footage acceptable to major networks

-BBC requires min 50 Mbps (Long-GOP), 4:2:2

Green Screen Work (4:2:2)

 

Upgrade Quality of Stock Footage

Enhance Workflow (Tapeless)

 

Portable Player for Client Review

NanoFlash.jpg

 

 

Roland F-1

 

Video Format

HDV (.m2t), DV (.dv)

569689.jpg

 

 

DataVideo HDR-40

 

Features:

HD-SDI & SD-SDI Video input

Embedded audio via HD-SDI / SD-SDI

 

Video Record format (MPEG-2):

SD: 5Mbps - 15Mbps

HD: 20Mbps - 60Mbps

4:2:0 Colour sampling

*.m2t recording format (Compatible with most NLE systems

HDR-40.png

 

 

Cualquier dato sobre estos (precio, distribuidor, experiencias, etc) o si conocéis alguno más no dudéis en escribirlo :blush:

 

Un par de webs de referencia: Solid State/HDD Recorders y P2 & XDCAM Players/Recorders

Edited by nickeditor
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Yo también estoy en la tesitura de adquirir uno. Se agradece mucho tu "puesta en escena" ;) Algunos que pones no los conocía.

Por cuestiones de dinero casi me decantaba por el Atomos Ninja, pero la entrada HDMI no me convence, el NanoFlash o el Ki Pro mini, con entradas HD SDI son mis dos posibles elecciones, aunque el precio se dispara en ambos. Me gustaría probar el Atomos Ninja para ver lo fiable que es. Por ese precio merece la pena darle una oportunidad

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Aunque los grabadores en formato Apple ProRess dejan un poco con "el culo al aire" al AVC-Intra, no deja de ser una buena opción:

 

Panasonic P2 AVC-Intra

 

Panasonic AG-HPG20

 

A Compact, Lightweight P2 HD Portable Recorder with HD SDI Input for High-Quality AVC-Intra Recording

 

RECORDING FORMAT

 

1080/59.94i, 1080/50i, 720/59.94p, 720/50p

(AVC-Intra100/AVC-Intra50/DVCPRO HD)

 

480/59.94i, 576/50i

(DVCPRO50/DVCPRO/DV)

 

*Not available AVC-Intra 100/50 recording via IEEE 1394

AG-HPG20_450x250.jpg

 

Si Panasonic abarata el precio del grabador y de las tarjetas P2 es una opción más que aceptable :blush:

 

 

Otro tanto se podría decir de Sony, que solo cuenta con un disco duro para hacer back-up de las tarjetas SxS: Sony PXU-MS240

Viendo por donde van los tiros de la SRW-9000 cambiando el grabador HDCAM SR por un módulo de tarjetas SxS, cualquier día nos sorprende Sony con un grabador con la capacidad del HDCAM SR SRW-1 pero en tarjetas SxS... o no :unsure:

 

Sony SRW-1

 

permite realizar grabaciones prácticamente sin pérdidas de calidad con alta definición de 1.080 líneas, a alta frecuencia, con las más recientes cintas HDCAM-SR

 

 

Grabación en campo en HD de alta calidad

Grabación SQ (estándar) a 440 Mbps y HQ (alta calidad ) a 880 Mbps en modo 444

Grabación en modo transmisión dual 422 (2 transmisiones HD separadas en una sola cinta)

Grabación y reproducción 1080 HD a distintas frecuencias de cuadro

12 canales de audio de 24 bits

Alimentación por batería

SRW-1_V.jpg

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Pongo unos precios orientativos usando esta web como referencia:

 

Cinedeck Extreme -> 10.300€

 

Codex Onbord

Codex Portable

 

S.TWO OB-1

 

FFV HD3

FFV Elite HD

FFV NDT200

FFV Mini DVR Pro

 

AJA Ki Pro mini -> 1.700€

 

Atomos Ninja -> 850€

 

NanoFlash -> 2.700€

 

Edirol F1 -> 2.800€

 

Datavideo HDR40 -> 1.800€

 

Panasonic AG-HPG20 -> 4.000€

 

Sony Sony SRW-1 -> 34.000€

 

 

Intentaré conseguir los precios que me faltan :blush:

Los equipos más caros (los que graban sin compresión o en DPX) se pueden alquilar para trabajos puntuales ;)

 

A ver si los de Blu Sens deciden hacer algun grabador en lugar de patrocinar cosas como esta :D

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Yo también estoy en la tesitura de adquirir uno. Se agradece mucho tu "puesta en escena" ;) Algunos que pones no los conocía.

Por cuestiones de dinero casi me decantaba por el Atomos Ninja, pero la entrada HDMI no me convence, el NanoFlash o el Ki Pro mini, con entradas HD SDI son mis dos posibles elecciones, aunque el precio se dispara en ambos. Me gustaría probar el Atomos Ninja para ver lo fiable que es. Por ese precio merece la pena darle una oportunidad

Por 850€ el Atomos Ninja es una opción muy interesante, aunque es una pena que lo hayan orientado tanto a las DSLR que solo tenga entrada HDMI :(

Lo puedes probar en alguna empresa de alquiler de material audiovisual :blush:

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Gracias Falele :blush:

 

Si las cámaras siguen teniendo conexiones de salida profesionales y codecs tan malos los grabadores van a durar muchos años :ph34r:

 

Se me había pasado por alto la novedad de Sony para el 2011: HDCAM SR Solid-State Recorder

 

IMG_0033.jpg

 

IMG_0035.jpg

 

Aunque fue presentado en Londres, las dos cámaras lo eclipsaron hasta el punto de que no he encontrado apenas información sobre él:

 

the Sony prototype Solid State SR recorder today.

1TB card Raid5 gives 4 hours of 440 Mbps.

It can do 880Mbps for 3D albeit at half the record time.

Presently you can only archive to a SRW 5800 at 3X real-time.

They are working on a download station using a SAS interface for speeding up off

loading. Estimated price around 20K for the recorder and 2 512 Gig cards.

According to Sony rep next update of Avid MC 5.5 will read the MXF wrapper

natively. The Sony rep had a MC workstation playing back the SRW recorded

data from the 1Tb card. No you cannot use the XDCAM viewer software to see

it so you will need SRW updated viewer software.

 

Just thought my post friends would find this interesting.

 

Tom McDonnell

 

Cinematographer

 

Los Angeles, CA

New Orleans, LA

 

Por lo que he entendido será como el módulo que llevará la SRW-9000 pero externo:

dos tarjetas SxS en Raid5 con velocidad de escritura de hasta 5Gb/s y capacidad de 1TB

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  • 1 month later...

Pocas novedades en el mundillo de los grabadores pero aquí tenemos otro más para la lista de la mano de DVEO

 

DVEO Digidisk HD -> especificaciones

 

Portable, Broadcast Quality, Genlockable Single or Dual Link HD SDI with Embedded Audio In and Out, Uncompressed, Digital Disk Recorder for use with all HD Cameras such as the Sony F950, Canon H1, and the ICONIX Mini HD. Incorporates Full VTR Controls. Can be Used in the Field with a Suitable Power Pack. Supports LTC Time Code and Meta Data input. Supported Formats Include 2048x 1080 pixel, 24p, XYZ, 4:4:4, 12b, YUV ARRI Formats, Bayer Pattern, and Weisscam. Standard Unit Supports Two Hours of Uncompressed HD. Targeted at Digital Dailies, Military, and Other Unusual Applications Requiring Portability and Ruggedness.

 

 

Standard Features:

 

· Ruggedized to record during flying or helicopter flights

· 3D recording support

· Digital Video Input: Dual Link HD-SDI, two BNC (SMPTE 292M, SMPTE 372M)

· Digital Video Output: Dual Link HD-SDI, two BNC (SMPTE 292M, SMPTE 372M)

· 2 hours recording capacity for uncompressed DC or HDTV image data

· Comfortable handling due to small and compact housing size

· Support for any format in Dual Link and Single Link HD-SDI

· Bayer pattern support

· No loss of image quality

· Storage of Audio, Timecode, and other meta data together with image data

· FireWire/FibreChannel for easy access to content (Up/Download)

· Flash version (SSD) available

 

 

Technical Specifications:

 

VIDEO FORMATS

· Dual Link:

2048 x 1080 Pixel, 24p, XYZ, 4:4:4, 12b (Digital Cinema)

1920 x 1080 Pixel, 24p/25p/30p, RGB, 4:4:4, 10b/12b

1920 x 1080 Pixel, 48p/50p/60p, YUV, 4:2:2, 10b

1920 x 1440 Pixel, ARRI D-21 M-Scope, 23.97p/24p/25p, YUV, 4:2:2, 10b

· Single Link:

1920 x 1080 Pixel, 23.97p/24p/25p/29.97p/ 30p/50i/60i, YUV, 4:2:2, 10b

1280 x 720 Pixel, 50p/60p, YUV, 4:2:2, 10b

· Other formats on request

 

STORAGE CAPACITY

· 1 TeraByte HDD capacity

· 16 Notebook HDD in RAID array

· RAID-0 or RAID-6

· Transparent capture/play-back of embedded audio & meta data

 

 

Applications:

 

· Digital Cinematography

· 3D recording

· Field recorder for military use

· High-quality HD origination & transfer

· Panorama or Bayer pattern recording

 

digiDisk-HD.jpg

 

 

El distribuidor en España: www.xeltec.net

 

Si alguien consigue información sobre el precio que nos lo diga :blush:

 

 

DVEO Millennia HD -> especificaciones

 

Real Time, Portable, High Definition, Digital Disk Recorder with Native H.264 Codec Providing Long-Time Recording of 1080i or 720p Content from HD Cameras onto Inexpensive Removable Flash Drives. This Product is Designed for Anyone Seeking a Small, Portable, and Rugged DDR. Additional Capabilities Include H.264 Encoding/Decoding to or from DVB-ASI. Supports LTC.

 

Standard Features:

 

· Video Codec: Full HD (1920 x 1080) H.264/AVC High Profile Level 4

· MPEG-1 Layer-II audio encoding

· Supports HD-SDI in and DVB-ASI out

· Standards: 1920x1080i/59.94,1920x1080/50, 720p/59.94, 720p/50, 480i/59.94, 576i/50

· Recording Rate: 4 Mbps to 20 Mbps H.264

· HD-SDI input signal synchronizes with ref input signal by means of internal frame synchronizer

· Encodes HD-SDI signal and records it on the HDD or Flash disk (SSD)

· Decodes HDD recordings and sends them out as HD-SDI signal

· Also works as a real time H.264/AVC decoder

· The input TS signal can be recorded onto HDD

· Supports simultaneous ASI and HD-SDI playback from hard drive

· HD-SDI output is synchronized with REF (sync) signal

· Rugged design for mounting next to cameras

· Time code support

· 12 or 120/240 volt operation

· Familiar VTR-like buttons for front panel

 

Milennia-HD.jpg

Edited by nickeditor
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Otra solución de grabación digital (además de alguna cosa más) llega desde los USA de la mano de GVS

 

GVS FLYPACK 9000

 

Uncompressed 2K, RGB 4:4:4, HD 4:2:2 and DVCProHD video processor

 

The FlyPack 9000 connects to camera via dual HD-SDI link or optional optical fiber cable to create a convenient, portable full-bandwidth 4:4:4 (RGB) image capturing system with TC, LTC, Genlock, RS422, RS232 support. The 9000 can also be configured with the VIPER or HDWF900 HDCAM camcorder to record HD 4:2:2 component images.The 9000 processor unit provides a variety of video-processing functions and houses an array of input and output connectors, including HD/SD signals, 8 channels of digital audio, and 8 channels of analog audio.

 

The 9000 functions include 2-3 pull-down insertions for 525 down conversion, and RGB 4:4:4 to Y/Pb/Pr 4:2:2 color space conversion. The system is capable of operating in a number of recording modes: • SD (standard definition) providing 4:2:2 uncompressed as well as DV QT files, at the same time in both 4:4:4 or 4:2:2 • HD (High Definition) mode allowing for one high definition uncompressed recording while it creates identical footage with the same time • DVCProc HD with uncompressed ratio in full band RGB 4:4:4 • and a mode where two separate 4:2:2 HD SDI inputs can be recorded simultaneously to the same storage RAID.

 

This provides an efficient means of recording stereo full bandwidth 4:2:2 images for 3D productions. Each stereo channel is recorded at full uncompressed media with the benefits of full error correction to both channels. Designed to fit seamlessly into a high-resolution production workflow, the FLYPACK 9000 offers a Virtual Tape capability that allows users to incrementally move to a digital disk based workflow. With this digital disk based technology, the FLYPACK 9000 provides a single flexible platform for all your content production from live and post production applications.

 

VTR/DDR includes:

 

- Professional video dual HD SDI I/O, 8, 12, or 24 SDI composite video converters

- Data I/Os including dual 4Gb/s Fibre and 10Gigabit Ethernet (option)

- Software tools SDK for three different platforms Windows, Linux and OS X environments providing integration with third party tools

- Live cast during capture or playback

- Direct edit in real-time with Final Cut

- Simple user interface for record and play back with remote control

- Proxies MPEG4, H.264 or DVCPro

- External control via TC, LTC, Sony RS422, RS232, MIDI, Genlock, or TCP/IP

- Support for uncompress SD, HD and digital intermediate work at 2K and above

- Color space support including DV, SD, HD 4:2:2, 4:4:4, and 2K (w/36-bit)

 

FLYPACK-4NXU-l.jpg

 

 

Portable es... lo de portátil lo dejo entre interrogantes :D

(Si, lo que hay encima del grabador es un Macbook "blanquito")

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  • 2 weeks later...

Es cosa mia ¿o del "Atomos ninja" no hay casi informacion y ningun sample ?....he buscado pero nada y desde el distribuidor oficial no sueltan prenda ¿ Vaporware ?

 

Saludos ;)

Personalmente no conozco a nadie que lo tenga :(

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SONY SR MEMORY FIELD RECORDER (F4112H)

 

Por ahora poco se sabe de este grabador digital de Sony, a ver si en breve Sony lo presenta:

· HDCAM SR

· Más de 5Gb/s de flujo de grabación

· Grabación sobre memorias solidas SRPAK

 

Por las fotos mostradas no se parece al otro grabador HDCAM SR... ¿el otro grabará sobre tarjetas SxS?

Edited by nickeditor
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  • 4 weeks later...

Es cosa mia ¿o del "Atomos ninja" no hay casi informacion y ningun sample ?....he buscado pero nada y desde el distribuidor oficial no sueltan prenda ¿ Vaporware ?

 

Saludos ;)

Personalmente no conozco a nadie que lo tenga :(

 

¡Hola!

 

Acabo de llegar de una demo de productos Apple (3D, estereografía, etc.) y han hecho una mini-demo del Atomos Ninja, tenían una unidad. La verdad es que tiene muy buena pinta. Allí se ha planteado el debate sobre qué señal sacan (y cómo es esa señal) estas DSLR por HDMI. Por ejemplo, el problema de la la 5DmkII.

 

Han hablado de unos 800€ + IVA (+HDs) y el distribuidor en España es Neovideo.

 

¡Un saludo!

Edited by sinnicknick
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Atomos Samurai (por 1495$)

 

Colour 16:9 TFT Touch Screen

Size 5.0” diagonal

Resolution 800x480

Aspect Ratio 16:9 Native / 4:3 Letterbox. Screen flipping enabled.

 

Video Input SDI SMPTE 259/292/296 Mini BNC (with BNC Adaptor cables)

Video Output SDI Loop out.

Supported Input Formats HD 1080i60, 1080i59.94, 1080i50, 1080p30, 1080p25, 1080p24, 1080p23.98, 720p60, 720p59.94, 720p50, SD 480i, 576i

Video Processing 3:2 Pull-down removal. Double anti-shock buffer.

 

Recording Time

------------------HDD----------------------------------SSD

----------------- 300GB----500GB----750GB----128GB----256GB

ProResHQ---3hrs -------5hrs--------7.5hrs-----77min-----2.5hrs

ProRes422--4.5hrs-----7.5hrs-----11.5hrs-----2hrs-------4hrs

ProResLT----6.5hrs-----11hrs------16.5hrs----3hrs-------4.5hrs

all video input formats supported

 

Audio Input SDI up to 8 Channel Embedded. Line In 2 Channel Line Level Audio. Analog gain adjustment

Audio Output 2 Channel 0.5W Balanced Headphone or Line level output.

LANC LANC In and Out Loop for integration with Camera LANC and Accessories. LANC Loop feature

 

samurai_306.jpg

 

workflow-stacked_sam.png

Edited by nickeditor
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FOR-A LTR-120HS

 

The LTR-120HS recorder supports AVC-Intra100, AVC-Intra50, DVCPRO HD, DVCPRO50, and DVCPRO files.Designed to enable "archive at ingest" solutions, it can record video footage as an MXF file in real time by simply pressing "record" and "play" on the convenient front panel controls.

 

"LTO-5 high-capacity tape is a simple and effective archive solution for broadcasters and other production facilities," said Pedro Silvestre, Sales Director, FOR-A Corporation of America. "The LTR-120HS delivers reliable, cost-effective archiving for AVC-Intra and DVCPRO file-based workflows, and it's an important new component in FOR-A's MediaConcierge content management system."

 

With its internal hard drive, and with each LTO-5 tape providing 1.5 TB of recording capacity and LTFS portable file system, the LTR-120HS also doubles as a material/program exchange media server. The unit features HD/SD-SDI I/O, gigabit Ethernet interface for file-based I/O, and RS-422 for external VTR control. Housed in a compact chassis that is only three RU high and a half-rack wide, the LTR-120HS also includes a built-in LCD screen for convenient monitoring.

 

The LTR-120HS will be available this summer.

 

FOR-A_LTR-120HS_pers_110309.gif

 

FOR-A lo presentará en abril en el NAB 2011 de las Vegas y grabará en un disco duro interno o en cintas LTO-5

 

 

Lo interesante es que Panasonic licencie AVC-Intra fuera de sus productos :o

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Parece que este NAB va a ser el de los grabadores:

 

Convergent Design GEMINI 4:4:4 -> especificaciones (en pdf)

 

Gemini 4:4:4TM Technical Specifications

 

Video Standards

HD-SDI, SMPTE 292M; HD-SDI 3G, SMPTE 424M; HD-SDI Dual-Link, SMPTE 372M

 

Video Formats

1080p23.98/24/25/29.97/50/59.94; 1080i50/59.94; 720p23.98/25/29.97/50/59.94/60; 2048x1080p23.98/24

 

Video I/O

Four BNCs, (2 Input, 2 output, with individual power-down options), One HDMI (Type C) Output

 

Record Features

Full Uncompressed 10-Bit 4:2:2 / 4:4:4 Recording into Quicktime file (.mov) with audio and timecode

User programmable over/under crank, time-lapse, 3:2 and 2:2 pulldown removal, on-screen tally

Record video simultaneously to both SSD drives (backup) or span drives (for longer record times)

Video can be recorded with or without burned-in LUTs, on individual drive basisFeature

 

S-Log, Log-C Support

Support for S-Log, Log-C with user programmable 1D LUTs, LUTs can be applied to either SDI output

 

Media

Two Slots for 1.8" Solid State Drives (SSD), Hot-Swappable, 256GB / 512GB sizes

 

Built-In LCD Monitor

5" high brightness LCD, sunlight viewable, 800 cd/m2, 800 x (RGB) x 480 Pixels, 24-Bit, 900:1 True Contrast, Wide 850 Viewing Angle (IPS Technology), Color Calibrated at Factory

1:1 Pixel Option, with user positioning of desired window via touch control

SSD Performance: 260 MBytes/Sec Write, 415 MBytes/Sec Read, 6Gbps SATA Interface

 

GeminiBullets.jpg

 

http://www.youtube.com/watch?v=V6Y0Pgq07Ak

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yo tengo intencion de pillarlo con un disco ssd para combinarlo con la F3 y cuando salga el samurai cambiarlo por este ultimo.

Aunque tengo algunas dudas... como no poder sincronizar con los botones de grabar de la propia camara.

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  • 2 weeks later...

Ya tenemos aquí los grabadores HDCam SR de Sony:

 

SONY SR-R1 -> especificaciones

 

The SRR1 is a highly portable recording system compatible with any cameras, camcorders, and other equipment with an HD-SDI interface. Dual-link HD-SDI/3G-SDI is supported to provide stunning recording capabilities including 1080 50p/60p and RGB 4:4:4 recording. This system also offers a dual-stream recording capability which is useful for 3D stereoscopic image capturing. SR-Lite (220-Mbps) and SR-SQ (440-Mbps) are supported as standard; SR-HQ (880-Mbps) and uncompressed recording are supported as options.

HD-SDI/3G-SDI dual-link In/Out

Full-bandwidth RGB 4:4:4 recording

4:2:2 1080 50p/60p recording

SR-Lite and SR-SQ recording

SR-HQ including RGB 12-bit and uncompressed recording (optional)

16 channels of 24-bit audio

3D stereoscopic (dual-stream) mode (up to 30p, RGB 4:4:4 dual-stream is optional)

DC operation

Timecode In/Out

Control panel

RS422 remote control

Dockable style operation with Sony camcorders (via optional adaptor)

Excellent companion storage for PMWF3

 

nab2011_product_details_srr1.jpg

 

 

SONY SR-R3 -> especificaciones

 

The SRR3 is an SRMASTER recording system specifically designed for Sony's F35/F23 cinematography cameras. It is less than half the size and weight of the SRW1. This achieves a highly portable camera system when the SRR3 is docked with the F35/F23, and is suitable for Steadycam operation. The SRR3 boasts all the powerful functionalities of the SRW1, while also featuring enhancements such as 12-bit recording, uncompressed recording, SR-Lite, 16-channel audio, and more.

Dockable with the F35/F23 camera

Full-bandwidth RGB 4:4:4 recording (10-bit, 12-bit)

4:2:2 1080 50p/60p recording

SR-Lite, SR-SQ, SR-HQ, and uncompressed recording

Select FPS -- variable frame rate image capturing, from 1 fps to 60 fps in both 4:2:2 and 4:4:4 modes*

16 channels of 24-bit audio

Timecode In/Out

Control panel

* Up to 50 fps with the F35.

 

nab2011_product_details_srr3.jpg

 

 

SONY SR-R4 -> especificaciones

 

The SRR4 is a 4K recording system specifically designed for Sony's new top-of-the-line F65 cinematography camera. It takes full advantage of the ultra high-speed SRMemory platform to record super-rich RAW data from the F65 at speeds as fast as up to 5 Gbps. Together with the newly developed, state-of-the-art image sensor of F65, the SR-R4 delivers amazing, never-seen-before image quality.

Dockable with the F65 camera

4K double-bayer 16-bit RAW recording

2K RAW high frame rate recording

Select FPS -- variable frame rate image capturing - from 1 fps to 60 fps in 4K mode, and 1 fps to 120 fps in 2K mode

16 channels of 24-bit audio

Timecode In/Out

 

nab2011_product_details_srr4.jpg

 

 

Los tres grabadores grabarán sobre tarjetas SRMemory Card:

 

The SRMemory card is an ultra high-speed, high-capacity, and high-reliability flash memory media for SRMASTER™ series cameras, ideal for demanding professional applications including 3D production, high frame rate digital cinematorgraphy, and high-resolution digital cinematography.

 

srmemory_card.jpg

 

Hay cinco tipos de tarjetas:

 

SR-MC1T 1TB y hasta 3Gb/s

 

SR-MC512S 512MB y hasta 5Gb/s

 

SR-MC512 512MB y hasta 3Gb/s

 

SR-MC256S 256MB y hasta 5Gb/s

 

SR-MC256 256MB y hasta 3Gb/s

Edited by nickeditor
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¿Alguien tiene o ha probado el Atomos Ninja? :blush:

 

... por aquí encima de la mesa tengo uno ... que quieres saber ??

Sobretodo compatibilidades con las HDSLR y si graba la imagen limpia o se queda impreso algún dato de pantalla... aunque tampoco se si es relevante porque desconozco si alguna permite grabar 720 o 1080 a través del HDMI :unsure:

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